It's interesting - I think electronic music changes the bar of entry for people who want to get into music, right?
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So I got my friend to show me how to use GarageBand, and then I just kind of started making terrible, terrible songs using the built-in synths and stuff, just screwing around with that. So when you first sat down, what were the circumstances? What drew you to it?īasically, I'd been at a friend's house he said he wanted a "girl vocal." I was like, "I'm really a bad singer," but I did it anyway - and then I was like, oh, music isn't that hard. Immediately I was like, "Oh, I don't suck? OK, I'm gonna be a musician.
The fact that I wasn't literally the worst singer on planet Earth made me think that I was, like, a god. Kind of! I mean, I wasn't good, but I was not the worst, which was extremely encouraging to me. When you finally did start to sing, was it a surprise to you? Singing has always been a struggle for me, so when I first started making music, I only made instrumentals. Probably from the first time I tried to make music. So, I think it just depends.Ĭan you remember when you first thought of yourself as a producer? I mean, was there an early song - before people knew you, even - where you realized you like the tinkering, the putting it together?
High female vocals, people hate that - and I have a high female voice, obviously. But the most hated was, like, children's choirs - and I love children's choirs. And actually, the most loved type of music is deep women's vocals - so, Beyoncé and Adele and stuff, that makes sense. Like, there was a study that we read about when I was in class: They polled tons and tons of people and found out the most loved type of music and the most hated type of music. But it's not the same thing as making music, which is very gut-level. Because you can study music to death you can study the brain's response to music to death.
I don't know if it's actually that practically useful, honestly. My learning curve was maybe a tiny bit shorter than maybe someone who hadn't studied that stuff.įavorite Sessions Grimes: Building Beats From The Ground Up So by the time I actually started making music, I kind of had an understanding of frequencies and kind of how the brain responds to things, which I think really helped me as a producer: Even though I had no experience playing instruments and stuff, I kind of had a basic understanding of engineering. Grimes: Actually, I was in a program at McGill called Electroacoustics, where we studied a lot of how the brain interacts with music. Hear the radio version at the audio link, and read more of their conversation below.Īudie Cornish: I read that you actually studied neuroscience in college? Or just the sciences generally? She spoke with NPR's Audie Cornish about the gender politics in music studios, the surprise perks of being a science major and why her favorite songs are those that deliberately unsettle the ear. Grimes' latest release is Art Angels, on which Boucher not only wrote, produced and engineered all the songs, but masterminded the videos and artwork as well - no small feat given the crowded and male-dominated field of electronic music. When Claire Boucher, the Canadian electronic artist known as Grimes, first recorded a song, she was reluctantly helping out a friend who said he needed a "girl vocal." Half a decade later, Grimes is a marquee name at massive festivals like Coachella, and has three well-received albums under her belt - though she says she still feels as self-conscious as ever about her voice. Claire Boucher, aka Grimes, is currently touring behind her acclaimed third album, Art Angels.
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